Reba Lafferty was a daughter of privilege, the only child of an adoring father. Over the years, he quietly settled her many scrapes with the law, but he wasn't there for her when she was convicted of embezzlement and sent to the California Institute for Women. Now, at thirty-two, she is about to be paroled, having served twenty-two months of a four-year sentence. Nord Lafferty wants to be sure she stays straight, stays at home and away from the drugs, the booze, and the gamblers.
It seems a straightforward assignment for Kinsey: babysit Reba until she settles in, make sure she follows all the rules of her parole. Maybe all of a week's work. Nothing untoward - the woman seems remorseful and friendly. And, the money is good. But life is never that simple, and Reba is out of prison less than twenty-four hours when one of her old crowd comes circling around.
Listeners have come to expect the unexpected from Sue Grafton, and R is for Ricochet is no exception. In it, a complex and clever money-laundering scheme is just a cover for a novel that is all about love: love gone wrong, love betrayed, love denied. And love avenged. For Reba Lafferty, its moral is clear: Sometimes what you hand out in life comes back to bite you in the ass. Sometimes the good guys win, even when they lose.
In the latest Kinsey Millhone mystery, Kinsey is hired by an aged, wealthy man to retrieve his daughter from prison, where she has served time for embezzlement. Kinsey quickly figures out that the girl isn't an embezzler but instead has done time for her money-laundering boss. All heck breaks loose. Judy Kaye has a warm, rich voice that seems just right for Grafton's P.I. Her delivery mirrors the smart-aleck tenor of much of Kinsey's dialogue. Strangely though, when Kaye is interpreting a male character (and there are many), she raises her voice to a higher register, so that many of the men sound like adolescents with changing voices, or worse, like chipmunks. It may be Kaye's subtle social comment, though. For once the listener adapts, this odd gender reversal seems natural. R.E.K. (c) AudioFile 2004, Portland, Maine
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